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| 1918 |
| | | Eric Gill completes his Stations of the Cross for Westminster Cathedral | |
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| 1919 |
| | | John Singer Sargent completes Gassed, a powerful image of one of the particular horrors of the recent war | |
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| 1920 |
| | | The Japanese potter Shoji Hamada accompanies Bernard Leach on his return to England | |
|  | Stoneware jug, Shoji Hamada
Potteries Museum & Art Gallery
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| 1920 |
| | | On his return to Britain from the far east, Bernard Leach sets up a pottery studio in St Ives | |
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| 1924 |
| | | Four Scottish Colourists (Cadell, Fergusson, Hunter, Peploe) exhibit together in Paris | |
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| 1926 |
| | | English potter Michael Cardew sets up a studio at Winchcombe, in Gloucestershire | |
|  | Earhenware jar, Michael Cardew
Potteries Museum & Art Gallery
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| 1927 |
| | | Stanley Spencer completes his large visionary canvas The Resurrection: Cookham | |
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| 1927 |
| | | 28-year old Staffordshire potter Clarice Cliff launches a range of highly coloured geometric designs that she calls Bizarre Ware | |
|  | 'Berries' candlestick, Clarice Cliff, c.1935
Potteries Museum & Art Gallery
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| 1927 |
| | | English typographer Eric Gill designs a type face without serifs, commissioned by Monotype and to be known as Gill Sans-Serif | |
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| 1927 |
| | | Stanley Spencer begins his murals in the Memorial Chapel for Henry Sandham at Burghclere, in Hampshire | |
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